In May 2010, I was given the opportunity to accompany the Afghanistan Human Rights and Democracy Organization (AHRDO), an NGO that promotes human rights through arts and culture, as its staff conducted participatory theater workshops as psycho-social therapy and organized civilian war victims to take an active role in shaping the national debate over the government’s intention to negotiate with some of the insurgent factions currently battling Afghan and international forces.
In May 2010, I was given the opportunity to accompany the Afghanistan Human Rights and Democracy Organization (AHRDO), an NGO that promotes human rights through arts and culture, as its staff conducted participatory theater workshops as psycho-social therapy and organized civilian war victims to take an active role in shaping the national debate over the government’s intention to negotiate with some of the insurgent factions currently battling Afghan and international forces.
In May 2010, I was given the opportunity to accompany the Afghanistan Human Rights and Democracy Organization (AHRDO), an NGO that promotes human rights through arts and culture, as its staff conducted participatory theater workshops as psycho-social therapy and organized civilian war victims to take an active role in shaping the national debate over the government’s intention to negotiate with some of the insurgent factions currently battling Afghan and international forces.
In May 2010, I was given the opportunity to accompany the Afghanistan Human Rights and Democracy Organization (AHRDO), an NGO that promotes human rights through arts and culture, as its staff conducted participatory theater workshops as psycho-social therapy and organized civilian war victims to take an active role in shaping the national debate over the government’s intention to negotiate with some of the insurgent factions currently battling Afghan and international forces.
In May 2010, I accompanied the Afghanistan Human Rights and Democracy Organization (AHRDO), an NGO that promotes human rights through arts and culture, as its staff conducted participatory theater workshops as psycho-social therapy and organized civilian war victims to take an active role in shaping the national debate over the government’s intention to negotiate with some of the insurgent factions currently battling Afghan and international forces.
Afghanistan is more than a war, and though violence is spreading, much of the country remains peaceful. Events in Afghanistan seldom make headlines abroad unless they involve violence, fanaticism or government malfeasance. Regrettably little attention is paid to civilian life, which goes on –because it must– in spite of deteriorating security.